krpalmer: (anime)
Having said something here about the news Rooster Teeth was shutting down and there might not be a conclusion to RWBY did get me thinking about trying to say something about news about Viz acquiring the series. It was the sort of unexpected surprise that makes perfect sense in retrospect, with Viz having published manga (however lightweight and short-lived) and a big guidebook based on the series. I did wonder a bit about Viz no longer having much of a reputation for “home video,” although not that long ago I did see online ads for them being connected with “purchasable videos” of the 86 anime (as distant as that is from “discs that don’t need to connect to a central server to watch”). I was also conscious of certain reactions jumping straight to “this is the perfect chance to start over from scratch and get things right this time!” Maybe we weren’t as close to “an envisioned conclusion” as I’d started to think, and there is that whole issue with “the longer a story goes, the more chances there are for what we get to diverge from what vocal fans have convinced themselves they should get.” I can bring any number of “stories that never reach a conclusion” to mind anyway, to say nothing of “conclusions and continuations from other hands”; the question is which category in fact lives better in memory.
krpalmer: (kill la d'oh)
Warnings about the impending disintegration of the Warner Brothers studio under uncaring management have been cropping up for a while. I suppose I’ve noticed them with bemused detachment, but also with the thought that fulminating about big companies is both quite noticeable these days yet something that might only depress other people who run into it. The news that Warner Brothers was shutting down the computer animation studio Rooster Teeth, who make RWBY, did jolt me all the same. I’d been willing to hope the series was moving towards its conclusion even after having pretty much dodged it for its latest block of episodes, but now there seems the possibility there might never be a conclusion.
ExpandGetting towards, if not to, the ultimate recourse )
krpalmer: (anime)
Even if “this imitation anime has led to the genuine, drawn-by-hand, produced-in-Japan article” wound up receding into the distance in a hurry, I was able to move on in a different way and start thinking “the actual story of RWBY is going to continue.” Even after so long I remained interested, if conscious of at least the possibility that “doing very little to see what anyone else is thinking of it” has helped that interest survive. It also helped there, of course, that it was continuing to be shown on Crunchyroll despite that streaming service having changed hands. I did delay starting the long-awaited ninth series for a while due to my anime year-by-year project, but as it turned out I didn’t finish it much behind other people.
ExpandAccelerating paces )
krpalmer: (anime)
That much more prone in recent months to thinking ahead to what anime I’ll watch once I’ve got through what I’m viewing now, I happened to reflect on plans to spend the last weeks of September on a bus tour. With certain preparations, I’d be able to follow certain series on the road; others would have to be dealt with before leaving. In the end, though, I decided to just finish everything in advance; “taking a vacation from daily viewing” could seem a bit appealing too. When we had to be bumped to a slightly later tour that might have become a bit easier, but I then had to consider how I’d been hoping to at last get back to watching some upcoming shows as they streamed and would now have to catch up on them and, perhaps, not post this summary at the very beginning of October. Then, it turned out the tour had to be cut short, and I returned to my routines and a summary I’d already been typing up. Where sometimes the jumble of titles I report on is organized by the order I began watching them in three months ago, here they’re organized by the order I finished them in.
ExpandA speedy yet rewarding review: Mob Psycho 100 )
ExpandGoing theatrical: Belle )
ExpandAugmentation completed: Den-noh Coil )
ExpandAdventures completed: Shinkalion Z )
ExpandThe legend continues: Legend of the Galactic Heroes Die Neue These )
ExpandA family caper: Spy x Family )
ExpandTaking a chance: RWBY Ice Queendom )
ExpandSwinging for the green: Birdie Wing )
ExpandA tasty adventure: Delicious Party Pretty Cure )
ExpandBack on stage: Love Live Nijigasaki High School Idol Club )
ExpandMore than what might have been: Daltanious )
krpalmer: (anime)
For a little while now I’ve been glancing at my RWBY Blu-Rays waiting to be watched and wondering just when the ninth series of computer-animated episodes will start showing up. I can get uncertain thoughts about whether the show’s creators have been stuck on how to bring things to or towards a close. Just today, though, I ran across an item on Anime News Network that got my attention to start with and kept it as I looked a little deeper. Japanese dubs of the computer animation, short manga, and merchandising might be one thing so far as “even ‘anime-esque’ efforts can get a bit of attention in the country where the real stuff comes from”; an actual anime series seems something else. While I’ve just been cautioned about making too big a deal of mere initial announcements, the studio and people attached to the project look a bit more significant than (for example) those who’ve drawn the manga. In one important case, however, that “established record” seems to have its own problems. As if trying to distract myself from that, I did wonder whether some of the names amounted to “selected to get the attention of (North) American fans; what have they done lately?” There, though, I have to face how I might be missing out on Shaft’s series just because of their association with Aniplex and have to consider how Gen Urobuchi (who’s “contributed” to certain other series other people wind up being blamed for) has been writing a Taiwanese-Japanese fantasy series performed by puppets, which would be yet one more option when it comes to “you could watch other things than anime, or even ‘anime-esque’ stuff you’ve long been indulgent towards, in some small part by avoiding what others say about it.”
krpalmer: (anime)
The abrupt conclusion of the RWBY manga I’d been reading wasn’t quite the end of the spinoffs I was taking note of from the computer-animated series. A fifth volume of the “Official Manga Anthology” had shown up, moving on from the four main characters of the series to four of the supporting characters. However, for all that looking back shows the reactions I set down here improved a bit over the course of the anthologies, having ordered a copy of the fifth volume did leave me with nagging thoughts of “operating on inertia and not leaving well enough alone.”
ExpandStarting off and beyond )
krpalmer: (kill la d'oh)
It’s a small weakness of mine (but safer therefore to make a show of admitting) that I maintain some interest in “RWBY manga.” The evidence that even “imitation anime” can attract some attention in the country the genuine stuff comes from is one thing, but perhaps I can get that much just from knowing the manga exists without actually buying and reading it. When I took a chance on the third iteration of it to bounce back across the Pacific, though, I liked the first volume of “The Official Manga” well enough to buy its second, even if a few initial thoughts didn’t add up into a post about it. In looking ahead to the third instalment, however, I saw its blurb mention “final volume,” and that sent me straight from “evidence of some attention” to a demonstration “some” isn’t “a lot.”

I bought and read the third volume all the same, and noticed it managed to get to the end of the second block of animation. A few thoughts did spring from that. Even with comments tossed in to the effect of “Gee, we didn’t catch this person, and we don’t even know who that other person is” (I looked back to the second volume and didn’t have a sense of efforts being made to wrap up then), I did get to thinking the second series was just about the last point where you could break things off without ending on a cliffhanger or at least a wide-open and perhaps quite ominous situation. I’m also stuck remembering thoughts Monty Oum’s unfortunate death had followed the completion of that series, and how I’d wondered if it had run through its novelty before the third series had thrown in enough complications to catch at least my own interest more securely. “Comics” do seem quicker to get through than “animation,” but at least I know more animation exists in this case. At the same time, I am contemplating thoughts I’ve had of late about becoming detached from “spinoffs in other media” and wondering now if that’s more just a case of having become detached from the stories I used to follow through multiple media.
krpalmer: (anime)
When I saw a notice the eighth series of RWBY would be streaming on Crunchyroll I put that computer-animated show in my queue and started watching it. An instalment or two into it, though, I did happen to think that despite having been very careful for long months to not start watching any “new” anime until all its episodes are available on the chance of production breaking down again, I hadn’t applied that same caution to the merely “anime-esque” series. Rooster Teeth being based in Austin, Texas seemed to raise its own concerns. As it turned out new episodes stopped appearing for some weeks; then, though, they picked up again. After getting to the episode with an extended end credit roll I concluded I’d reached the end of this series, and started getting my thoughts in order.
ExpandReactions, however personal )
krpalmer: (anime)
Viz keeps publishing “RWBY manga,” and that keeps getting my attention. Call them “anime-inspired” or “anime imitations” depending on your mood, but works of that type have been easy enough to find for a while; evidence one of them has attracted attention where the genuine article doesn’t need to be translated seems more unusual. With that said, however, my own reactions to the first five volumes of RWBY manga could amount to a sustained demonstration that while “official manga” of it is being drawn in Japan, it’s not being assigned to top artists.

Hope does keep springing eternal, though, and when I heard a third variety of RWBY manga was starting up with the bold subtitle “The Official Manga” (however necessary that might be to distinguish it from the one-shot initial manga) I did think about taking another chance. However, before I quite had the chance to read it I’d run across an Anime News Network review dismissive of both the volume and the franchise in general. I did manage to shrug that off anyway, telling myself that regardless of my own reactions to this latest manga I’d have the chance to follow it up with another “sequential art” interpretation in the franchise, and this one didn’t need to be translated.
ExpandThe Official Manga )
ExpandComics from DC )
krpalmer: (anime)
When I last posted here about RWBY, my slow compilation of thoughts about a guidebook to that computer-animated series had had to mention the sudden appearance of the seventh “volume” of episodes where I could watch them without a new subscription to another streaming service. At the close of the sixth series, I suppose I’d imagined the characters “winning through to a redoubt” where things would go better for them for at least a little while. Instead, they managed to get into trouble at once, as “somewhere this nice has to have a dark side too” got something of a new twist with a less prosperous city showing up below the levitated kingdom of Atlas.
ExpandUps and downs )
krpalmer: (anime)
An oversized book jutting out from the manga shelves at the area bookstore got my attention; taking it down from beside copies of the RWBY manga I’d plugged through before, I sorted out from its cover it was an “official companion” to that computer-animated series. Flipping through the guide turned up a proper explanation of the different terms used for the show’s superpowers, something I’d hoped to find in a young adult novel I’d also plugged through; at that moment I did begin to ponder buying the book. As a hardcover it was a pricy volume, though, so I decided to wait a while for some special discount points on my bookstore card to become available for a limited time; returning to the store then revealed its only copy of the book had sold already. It took driving to the chain’s next outpost to find several more copies and buy one of them.
ExpandAfter all of that... )
krpalmer: (kill la d'oh)
Happening on an end-of-the-bookshelf display of RWBY novels in the young adult section of the area bookstore did get my attention. For some years now, should I come across “based on TV and movies” novels I’ll at most glance at their covers before moving on, and that despite (or because of) past interest in some of them. At that particular moment, though, I did think of the translated-from-Japanese “light novels” I’ve read a few series of (being the original source of left-off-past-the-beginning anime series I’ve already seen), and how often their prose can seem to leave me with subtle indigestion. (Perhaps ebooks from J-Novel Club have suited me better than most books from Yen Press.) When I bought E.C. Myers’ RWBY: After the Fall, I might have been thinking of little more than “making a peculiar experiment,” bypassing certain barriers I only have myself to blame when it comes to “reading new fiction” these days, but also suiting me better just for having been written in English to start with. In any case, when I bought it I was still working my way through the sixth series of the computer-animated show; on the off chance the book would touch on it, I waited to start reading.
ExpandThe continuing adventures of Team CFVY )
krpalmer: (anime)
I was interested enough in seeing where RWBY would go with its four main characters reunited at the close of its fifth series. My expectations a sixth series would be shown on Crunchyroll soon after premiering didn’t turn out, though. Instead, the new instalments seemed to be streaming in ways I hadn’t already worked out how to access. Instead of chasing them all the way there, I fell back (even as I was plugging through some not that enthralling manga takes on an “overseas property”) to looking and waiting for a home video release and finally “taking a chance on something bought sight unseen.” In the meantime, a new series from Rooster Teeth did appear on Crunchyroll, but having already decided to spend a good chunk of this year watching mecha anime from the 1980s left me wondering if I should wait as well to take in their effort at the genre (as opposed to the giant robots thrown into RWBY every so often as part of the general “anime-esque” mix) a bit more uninfluenced by comparisons to the stuff everyone else always seems to let overshadow anything merely recent.
ExpandAt not quite the final moment... )
krpalmer: (anime)
Having made it through three volumes of the “RWBY Anthology” manga did make “finishing the set” seem a little more inevitable. I glanced inside the fourth volume when I saw it in the bookstore, but I suppose it was only a “glance before buying it anyway”; I was still a bit uncertain as I started reading. That the “four-panel manga” that had seemed one of the few really good-looking pieces in the somewhat unfortunate first volume returned quite near the beginning of the fourth wasn’t quite encouraging, somehow.

I was ready to suppose Yang Xiao Long wasn’t that complicated a character in the first part of the animation these pieces are set during, a swaggering, hard-punching, big-sister type. There are a few jokes spun from the unfortunate complications that build up for her near the end of the first plot arc (and that did help make what I’ve managed to see since more interesting), and one piece does invoke the very end of that arc in a more serious way. Still, I got through the volume even with a comment or two at the very end speculating about doing something similar for the villains and supporting heroes. My own thoughts for the moment are just wondering when I might have the chance to see the animation that has been released but not on Crunchyroll; if it is going to get on Blu-Ray the same as the five previous parts, that might be as good as anything for me.
krpalmer: (anime)
With a few cautions still in mind, I did flip into the third “RWBY Anthology” manga volume in the bookstore just to make sure the art didn’t look altogether depressing. After buying it, though, I wasn’t fast at getting around to reading it. When I did open up the volume at last, the first piece looked surprisingly good; I had to go a bit further for things to seem closer to the norm, but there were still compensations.

In the early part of the story these anthologies are set during, Blake Belladonna does seem to have the most going for her beyond “action” with a number of secrets not only to be revealed but dwelt on afterwards. (There’s an afterword from her character designer, who admits “I’m not quite sure” how Blake’s weapon works.) As inconsequential as the manga pieces have to be in the story, I was able to keep reading.

There’s one letter left in the title, one main character, and one volume of this series to go. I’ll still have to see just what Yang’s instalment looks like inside (there were a few pieces in this third volume where, with everyone in their school uniforms, I kept confusing Yang for Weiss), but the thought “I’ve gone this far already” can hold as much risk for me as any other. Reading through the volume did remind, me, though, that the latest series of RWBY’s computer animation hasn’t been made available on Crunchyroll, and I haven’t yet tried sorting out what watching it via its creators’ official site will mean. There is the thought it’ll eventually be available on Blu-Ray like the previous volumes, even if I can fall victim to “don’t look up what anyone else is thinking about it, now or later; that can only cause problems.”
krpalmer: (anime)
I'd felt a bit stung by a "RWBY anthology" manga, but instead of just swearing off the three volumes I supposed would follow I did go so far as to say I'd look into the next one in the bookstore and see if the art seemed any better. The chance for that showed up, and some quick page-flipping did have me thinking things looked a bit more appealing. As I bought the second volume, however, I still had a few thoughts things might feel unfortunately different in total...

All in all, though, the short pieces about the haughty heiress Weiss Schnee did seem more pleasant to get through than the last time around. I checked the table of contents afterwards to see not all of the pen names were the same (although the artist who'd provided the "four-panel strips" that had somehow looked particularly good among everything had returned). I did get to thinking, too, that Weiss has a bit more in the way of complications built into the most obvious levels of her character than Ruby, which makes it easier to make short pieces about her interesting. At the same time, aware of what details have been added to her character in the last two series made me aware of how the pieces stuck with what had been presented in the "first story arc," even if that sometimes included her competent and successful older sister Winter. With that in mind, I can at least hope the upcoming volume featuring Blake, who has a complicated past of her own, might also show some similar strengths (if requiring the same glance through beforehand), although I'm wondering about the volume featuring Ruby's brash older sister Yang.
krpalmer: (kill la d'oh)
Reading an official, "made in Japan" manga of the American "anime-esque" production RWBY more or less left me thinking of that old, acquired-through-experience suspicion that "manga based on" get assigned to artists who can't manage original works of their own, the that much more unfortunate flip side of the undercurrent of criticism of anime made from manga. Hearing right around then a "RWBY Anthology" would follow, though, did have hope springing eternal once more. I bought the first volume (supposing there'd be three more to feature the other main characters who make up the other letters of the title), eventually read through it, and wound up facing the wry question "when will I ever learn?"

Many artists contributed to the anthology (with a lot of them using one-word apparent pen names), but as I went from one brief, not quite consequential character piece about the earnest team leader Ruby Rose to another I kept thinking there was a new sort of hard-to-explain awkwardness to the art. I suppose one set of "four-panel strips" late in the book did look better to me, and looking back as I write this I might be a little more charitable towards some of the pieces, able to pick out a few action pieces as well. Too, with the pieces being set in the first plot arc of the series there was something to the occasional appearances of the characters who didn't make it past the end of that arc to demonstrate there were consequences after all to the story.

I suppose I've already seen enough proof of RWBY attracting some attention on the other side of the Pacific, a counter perhaps to the possibility of it being "neither fish nor fowl," appealing to those over here who might not know any better. If I do happen to see another volume of the anthology at the bookstore, I'll look into it rather than judging it by its cover.
krpalmer: (anime)
Hearing people in Japan were managing to see RWBY caught my attention. The further news of a Japanese-dubbed release of the "web series," computer-animated on this side of the Pacific, seemed to cut through a number of the things tangled up with "people outside Japan getting so into comics and animation from that island nation they try making something like it themselves." It was far from the only thing keeping up my own interest in the series, but it was something.

After having the chance to see at least some of the Japanese version myself, a manga version I'd also heard about became available over here too. I went ahead and bought a copy, convinced by its cover the character artwork would have more personality and liveliness than the somewhat austere computer animation. (In a calendar store closing down as the year rolled over, I saw a RWBY calendar, and as much a revival of the "novelty" that had first attracted me to the series it was on first sight, the back cover had me thinking inside it was all close-ups of the computer-generated characters, not that interesting to me.)
ExpandWith a further North American bonus )
krpalmer: (anime)
Three months ago, as one more "quarterly review" of anime viewed meant working out one more explanation why I'd more or less missed out on what seems the modern game of watching new series on a weekly schedule through official streaming, I was at least thinking things might be different in the summer. In those three months I wasn't away on a long vacation, and yet in just their first week or two I realised I'd once more sit out the game.
ExpandThe latest explanation, and RWBY )
ExpandStarting off at last: Little Witch Academia )
ExpandGetting around to it: Ano Hana )
ExpandMirror experiences: Zeta Gundam and Gundam Double Zeta )
ExpandOne conclusion: Mobile Suit Gundam Char's Counterattack )
ExpandA peculiar experience: Chargeman Ken )
ExpandAgain at last: Love Live Sunshine )
ExpandA nostalgic discovery: Star Gunman Bismark )
ExpandAnother conclusion: Gundam Unicorn )
krpalmer: (anime)
The unexpected buildup of its third series, from "I suppose it's playing to its strengths" to "did it just leave a part of its familiar setting behind?", did a lot to revitalize my interest in the computer-animated, "anime-esque" RWBY. I wound up buying its Blu-Rays and watching through them with a full awareness of where they were headed, perhaps still helped along by the thought it was "an indie production" but getting past "it's something it was done at all." (This might reflect a bit on how I did just stop watching the slightly connected "Red vs. Blue" without making a big deal of it.) As the fourth series got under way, I was pleased to see it available on Crunchyroll, even if this might bring to mind "it's perhaps even an all too comfortable way to convince myself I'm not just watching anime."

In any case, as the fourth series got under way the characters did remain scattered and in new places, and that pushed from my mind the wondering I'd done right at the end of the third series of if things might be put too much together again. That did, though, connect to how it might be all too easy to pile up a list of anime series where the characters have fantastic adventures but never have to go very far from the safe base of their high school, although when I think a little bit more about that not all of them can be called "recent" in the way just perhaps used by some for who every "fannish" diversion is forever falling from the heights they started at. Noting the different ways "family" got involved in the plot threads, I stayed interested all the way through. It was only thinking back that I did wonder a bit about the story having taken its time dwelling on large and staggering things having happened, but that might have been inspired by one comment from someone else I did look just a bit for, which may only have reminded me of all those suspicions that to delve too much into the opinions of others for reassurance your own opinions are valid can feel like a zero-sum game. In any case, I'm wondering where things might go next, even with new episodes of Voltron: Legendary Defender available to keep taking that trifling step away from outright anime. (Some of the first episodes in its own new series, though, seem, without having made a big, showy deal of it, to have stepped away from "this is a cartoon; nobody ever dies in a cartoon.")

June 2025

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