krpalmer: (anime)
Whether or not “three volumes of manga the anime was adapted from; four volumes of manga continuing the story beyond where the anime left off” altogether reduced thoughts of those old warnings about Dark Horse’s spotty track record in translating and releasing manga to an amused memory, it was pleasant to get around to the seventh volume of Keep Your Hands Off Eizouken! The story even happened to include something that made me hope I could say something here a little more profound than “this happened, and then this happened.”
Before that point, though... )
krpalmer: (anime)
Dropping in to the area bookstore not that long ago, I had definite thoughts of looking for a single new volume of manga by an artist I’d read some works from before. The consciousness I haven’t been grabbed by all that many new titles of late, bringing me pretty close to confronting those stacked-up volumes “waiting until I’ve seen their anime adaptation first,” did get me at least passing by a display table. One title I’d been aware of caught my eye again, and this time I picked up a first volume of Destroy All Humans. They Can’t Be Regenerated, then looked around a little more and saw the second volume in the series was also available. The small wrinkle that this was a manga about Magic: The Gathering, which I’ve never played, was still in effect. Now, though, I was at least wondering if this might be a marshmallow-light example of “even if a story isn’t ‘meant for you,’ you still might come to understand another small part of humanity a little better from it.”
It’s in the cards )
krpalmer: (anime)
Seeing a release date for the thirteenth volume of Kamome Shirahama’s Witch Hat Atelier manga had at once been as welcome as ever and given me the peculiar feeling it had shown up earlier than I might have expected. Willing to hope, I put in an order anyway a little in advance of the date. As it turned out, I was then able to pick up the volume a little sooner than I’d expected to. This time, I didn’t “save the best for last.”
Catching a breath and speeding up again )
krpalmer: (kill la d'oh)
When I set about watching through “sample episodes” from six decades of anime two years ago, I had only one series starting in 1970 available with subtitles. Unlike a few other early cases of that, I was uncertain about sampling it. My post about Tomorrow’s Joe began by lamenting how, for all that I knew the original manga had been a very big deal, the accumulating injuries of boxing unsettle me. I do wonder, though, if I’d protested too much; I can at least understand how the “repelled” versus “compelling” balance has varied over time and for different people even if some of the results of being punched repeatedly start to hint at “body horror,” something in general I really don’t do well with at all. (For that matter, clothing getting ripped in “staged fights” doesn’t appeal to me either. By the time this leads to admitting that bits of an outfit being lost over the course of a story might not appeal as well, maybe I’ve given enough away to be psychoanalysed.) All of that does lead into how, when I learned the original manga was being translated and released over here, I wound up buying a copy even if a “three-in-one hardcover” was awfully expensive, especially given the paper didn’t seem that different from the stuff that yellows over time in ordinary manga.
A bone-white ring under the red-hot sun )
krpalmer: (anime)
Although I keep bringing it up, “only reading manga after I’ve seen the anime adapted from it” isn’t quite a hard-and-fast rule for me. I might even have started to wonder a little if that rule formed about two decades ago, even if I can then wonder if daring to bring up “to me, anime from the ‘early digital production era’ now looks a bit less impressive in general than recent anime” would bring up complaints from those ready to find faults in something approaching all recent anime and assign blame to big companies.
Dressed up, eventually )
krpalmer: (kill la d'oh)
Not all that long, or so it seemed, after I‘d read Gou Tanabe‘s manga adaptation of H.P. Lovecraft‘s “The Shadow Over Innsmouth,” Dark Horse announced another adaptation was going to be translated and released over here. This time it would be “The Call of Cthulhu,” significant enough for providing the name for the whole “Mythos.” I got around to buying and reading a copy.
Conceivably a survival )
krpalmer: Charlie Brown and Patty in the rain; Charlie Brown wears a fedora and trench coat (charlie brown)
Happening to see notices a “manga biography” of Charles M. Schulz would be translated into English (and my impression is that I keep up with “Peanuts news” enough I saw it there rather than as “anime and manga news”) did get my attention. Knowing about the popularity of Peanuts in Japan kept the juxtaposition from feeling altogether odd to me, but a certain sense of two personal interests bumping together in an unexpected way still could have managed in the end to make me get a copy of the translated manga.
A life in drawing(s) )
krpalmer: (anime)
To be brief, I’ve pared time spent with a web browser open well back. To fill that gap, I decided to return to some manga and read it again. Picking up The Promised Neverland, I pushed through twenty volumes and a special follow-up of one-shots also from author Kaiu Shirai and artist Posuka Demizu in four days. This was a considerable acceleration from my usual pace of courteous chapter-sized nibbles.
The reason for my choice )
krpalmer: (anime)
Still wrapping up more manga series than I feel I’m beginning at this moment, I worked through the twenty-second volume of the Bakemonogatari adaptation. It has been a while since I started it; indeed, it’s been a while in itself since it worked through the plot arcs of the anime episodes I watched streaming quite a while before that and detoured to a part of the supernatural-problems story I understood was shown as anime movies. After that, it moved on to what I supposed to be the episodes you would have had to pay a premium to get on Blu-Ray and spent quite a while adapting them. Oh!Great’s artwork does make this manga more appealing than certain other titles I’ve bought as if to not make up for buying expensive anime releases, even if the excesses of the later volumes did get to a point of making it clear the “fanservice” would forever ride on the point of almost crossing particular lines.
The epilogue, or maybe the punch line )
krpalmer: (anime)
Not that long after reading the first two volumes of Nico Nicholson’s My Lovesick Life as a ’90s Otaku in rapid succession and commenting on both of them, I picked up the third instalment of the manga. Very little time passed between that and ordering the fourth volume, and I started thinking about making another double comment. By the time that fourth volume showed up, though, I’d realised it would be the conclusion of the series. Having started reading the manga in part through the thought I ought to “begin new titles,” having it wrap up so soon was a little hard to take for a few moments. After that, I did start wondering if a longer series would have changed from “ha-ha, I got that reference” to “arrgh, why don’t they settle things?”
From then to now )
krpalmer: (Default)
Finishing Knights of Sidonia (some years ago now) didn’t get me seeking out other manga by Tsutomu Nihei. That title being one of a seeming handful of “mecha stories starting as manga” I’ve read might have outweighed a certain sense (however unfair, however much blamed on half-remembered comments from others) Nihei’s work could be tricky to make sense of. As I’ve admitted a few times in recent months, though, I have got to a point where I’m willing to take chances on new manga series. I picked up the first volume of Kaina of the Great Snow Sea, and that with “story by Tsutomu Nihei, art by Itoe Takemoto” credits.
Above the Great Snow Sea )
krpalmer: (anime)
After building a Gundam model I found myself tempted to go back to Kio Shimoku’s Genshiken manga and find the chapter of it involving the same hobby project. Whether or not that contributed to reading through twelve volumes of Witch Hat Atelier again, once I’d reached the current end of that story in print my thoughts did turn back to the older manga. This might, I suppose, betray that right now I’m making some efforts not to just fritter away all my spare time using web browsers.
Dropping back in )
krpalmer: (anime)
Still casting around for new manga to start reading, I followed up on a title that had managed to catch my eye a little while ago and was able to read the first two volumes of My Lovesick Life as a ’90s Otaku in rapid succession. The decade in the title could have got my attention most of all. In the first half of my own 1990s, I was sorting out just what anime and manga were (for all that I saw almost nothing of either of them in those years); in the second half of the decade, I went off to university and joined the anime club there (and, before the decade was out, did manage to buy a first few “pre-unflipped” manga collections). Knowing a bit of what things were like over here, I was interested in a presentation of something of what things were like over there.
When otaku were outcasts )
krpalmer: (anime)
Noticing some unfortunate, yet still somehow understandable, suspicions of how long the upcoming Witch Hat Atelier anime would “hold together” did get me thinking back to those just as unfortunate cracks that “the trailer’s always the best part of the movie” and the days of OVAs (although I can now think of a few OVAs that didn’t “hold together,” or indeed even reach their concluding instalment). At a certain point, a sort of premature bargaining had me wondering whether there might be an early point in the manga where, should the anime be fortunate enough to “hold together” even that far, you could “cut off there” with some measure of satisfaction. I took the first volume of the manga off my shelves and thought that getting to the moment where Coco is given her witch hat would work for me. Then, I kept reading through the other eleven volumes of manga I have.
Putting the pieces together again )
krpalmer: (anime)
As time passed I grew a bit conscious I hadn’t jumped into the twelfth volume of Witch Hat Atelier after receiving my copy (the pages of which had an odd “splay” to them, as if the page signatures this paperback might have been glued together from were still sort of sticking together at their other ends rather than losing their identity in a single book). Some sort of familiar “save the best for last” feeling had engaged, perhaps. One thing that might have helped there, however unfortunate from another perspective, was that I’d lost the nerve to see how Frieren: Beyond Journey’s End continued beyond its anime adaptation, and that with no immediate announcement of a continued adaptation as far as I can remember. (I have multiple volumes of Urusei Yatsura and My Dress-Up Darling waiting in a similar fashion, so far as that goes.)
A plot zig-zag )
krpalmer: (anime)
All in all I don’t lack for manga to read. Only going back every once in a long while to any of the series I have shelved or just stacked seems evidence of that. With that said, I must admit to a certain recent impression of not having begun many new series from among the great number being translated and published. Every once in a while a series I’m reading ends; to wind up returning to completed series just because I’ve run out of attention-catching new manga to replace them doesn’t seem the most appealing way to do that.
But my attention did get stolen )
krpalmer: (anime)
Six volumes of the Keep Your Hands Off Eizouken! manga being translated into English and published means there’s now as much manga going beyond the anime as there was manga the anime was adapted from. I at least remember the first accusations Dark Horse might not bother to release even the manga that turned into the anime, so it was nice to see this new volume. At the same time, starting into it I did have a bit of trouble picking up on the story again beyond the sense the tale of the Eizouken’s latest anime-within-the-manga hadn’t been complete in one volume and just might have ended on a cliffhanger.
And we have title )
krpalmer: (anime)
When I ordered the third volume of Minami Nanami wants to Shine (after commenting on three of the translated light novels it’s an “alternative universe spinoff” of had got in between it and its previous instalment), I hadn’t known it would be the final part of its series. That hard fact was revealed from the comments of others. Receiving the manga as I was finishing up the anime adaptation of some more of the original novels, and going on a vacation afterwards, did sort of get in the way of reading it too.
Catching up anyway )
krpalmer: (anime)
At least a few experiences with “the artwork of the original manga have more character to them than the mass-produced drawings of its anime adaptation” and “certain moments in the manga get... watered down for the anime” formed an impression in me that seems to mean there’s always a few stacks of particular manga growing ever taller until I’ve finished the anime that got my attention in the first place. After having made a bit of an effort to start into some of those anime (and having read through the latest lengthy volume of Yokohama Kaidashi Kikou both right before and in the days after my vacation), I could at last pick up the first volume of Frieren: Beyond Journey’s End.
Beginning anew )
krpalmer: (anime)
In some fashion or another I became aware of a “light novel” named Qualia the Purple translated from Japanese, but long enough ago I don’t quite remember the specifics. I do have the impression some brought up Last and First Idol while mentioning this new release, which would have got my attention. There was also a bit of “positive recommendations that tried not to give too much away,” which I suppose always has me wondering if I just wind up being vague. Still, when I did get around to picking up the novel at last from where I’d had a copy waiting, I read it with growing interest.
What do you see? )

June 2025

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