When I got around to watching the Star Wars movies this year and, halfway through "hybrid order," found any possible previous concerns that this time things would be different seemingly overcome by invigoration, I went ahead and posted about
it. After I'd done that, though, I did get to wondering if I'd "set myself up at last," if Attack of the Clones
in particular would feel "stuck as the middle movie" or something. I got through it in turn just fine, however, and thoughts that maybe Revenge of the Sith
would pose personal problems somehow
might not have had the chance to get started. On getting back to the old movies with Return of the Jedi,
though, I suppose I was at least conscious of the laments of others on interpreting most of the major performances as "burnt out," as much as I tried to bring to mind other, more positive interpretations I've seen. At least since reading the modern "making of
" book, I sometimes find myself wondering if George Lucas saw the important part of the movie as "redemption,"
but with the big secret of The Empire Strikes Back
having leaked (if perhaps not to as widespread publicity as might happen nowadays) he tried even harder to keep that part restricted to those who needed to know, only to leave everyone else kind of underwhelmed at the impression the movie was "about" "creatures..."
I was perhaps following more Star Wars discussions in the late 1990s since I've done since, and I'm ready to suppose a "golden age" wasn't "lost" in sudden and shocking fashion in 1999 (or even 1997) because I'm aware of the complaints about Return of the Jedi
from back then. It's at least possible I fell away from possible "groupthink" just out of the inarticulate conviction the then-third Star Wars movie was
the conclusion and getting upset about it wouldn't make a difference except to yourself, but in since coming to think I could really
shock some by declaring the three new movies a more interesting and compelling unit I always feel that also has to face the possibility all the "blame" then falls on Return of the Jedi
itself. That, of course, might not even really touch on the unpleasant feeling that the latest of three "official" continuations from that point (and the one that has the apparent advantage of existing in the same medium as the previous movies) involves the celebrated heroes of the apparently beloved movies having failed off-screen in just about every way for the sake of getting new product with a drab ethos and a barrage of snappy dialogue rolling. Still, that hasn't quite
stopped me from thinking "roll on Rogue One"